CLARKSON ROSE introduces
50 YEARS OF SEASIDE ENTERTAINMENT’

 

a_twinkle

Was any holiday complete without a visit to the summer show or concert party? The very names conjure up the period -
Sandy Powell’s Startime; Cyril Fletcher’s Summer Masquerade; Hedley Claxton’s Gaytime; The Fol-de-Rols.
And Clarkson Rose’s Twinkle.
Clarkie and his partner Olive Fox presented their first Twinkle on Ryde Pier in 1921.
Over the following 47 years Twinkle had resident summer seasons, with tours in the spring and autumn.
In the winter months Clarkie was one of our busiest and best-loved pantomime dames.
THE STORY OF TWINKLE IS VERY MUCH THE STORY OF BRITISH SEASIDE ENTERTAINMENT DURING THAT PERIOD

50 YEARS OF SEASIDE ENTERTAINMENT is a ‘solo performance’ with costumes and props, some songs and a dance.
It therefore needs a ‘performance space’ - not necessarily a stage - and cannot be done from behind a lectern or dining table.
And a hands-free microphone, please.

Civray Mill

King Henri IV described the River Charente as “the most beautiful river in my kingdom” but it is much more than that. A border between warring forces; the invasion route for the Vikings; a main transportation route until the arrival of the railways, carrying cannon, paper, brandy, salt and building materials. It now plays an increasingly important role in the tourist industry of two French departements, Charente and Charente Maritime. Discover all this, and more, when you book

A TRIP DOWN THE RIVER CHARENTE

RICHELIEU: THE CARDINAL AND HIS ‘CITY

In 1585, when Armand-Jean du Plessis (later Cardinal de Richelieu) was born, France existed only as a geographical area: neither language nor law provided any unity. Loyalties were feudal, religious and/or regional. Richelieu dictated both the military strategies which provided France with new defensible borders, and inaugurated the unifying reforms which moulded the state’s own national cultural identity. In the process Richelieu discovered the power of cultural propaganda, and sought control of the country’s literary and artistic activities and institutions. Working closely with the royal architect Lemercier, the Cardinal planned buildings of enormous extravagance, including the church at the Sorbonne where he was proviseur, and the magnificent Chateau and ‘walled town’ on the family estate at Richelieu.The Palais-Cardinal in Paris (later the Palais Royale) included a theatre, and he collected paintings and sculptures by many of the outstanding artists of the time, now on view in Paris, Orleans and Tours. He also founded the Academie Francaise.

coloured postcard
Sorbonne Church

left: the Sorbonne church in Paris.

right: entry to the walled town of Richelieu,
cite du Cardinal’
built alongside the huge Chateau (since demolished) on the du Plessis estate in Touraine. Just inside the
arch was my shop, and my home
for five fascinating years
.

My arch into Richelieu

 GEORGE BERNARD SHAW: PLAYING THE CLOWN

A semi-staged canter through the life, loves and writings of “the greatest playwright since Shakespeare” told, as he himself always told it, with a whimsical sense of humour.

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Details and Reviews of this ‘semi-staged’ Presentation can be found on the G B SHAW page.

THREE POWERPOINT PRESENTATIONS which ‘really do need pictures’.

PRESENTATIONS

Kingsbridge U3A:  Another blistering success - gave a terrific depth to the subject.       

“Your love for the river showed through in your interesting and enjoyable talk”.
Jack Richmond; Dart Valley U3A.

Seaside holidays started with King George III: seaside entertainment started with donkey rides and Punch & Judy, developed through the Minstrels and the Pierrots to the Concert Parties, and ended with cheap foreign holidays and colour television.
Clarkson Rose joined his first Pierrot show in Sussex in 1914, and staged his last TWINKLE season in Devon in 1967 -
an experience which makes him the perfect guide for a presentation about Seaside Entertainment.

 LITERARY PARIS 

For centuries PARIS has been a Cultural Capital and home to emigre artists from all over Europe. Their ranks were swollen at the end of WW1 by American authors, poets, musicians and dancers fleeing prohibition and/or racial discrimination.

This so-called Lost Generation is at the heart of a Presentation which highlights the City of Light’s literary successes, failures and scandals, from Voltaire and Zola to James Joyce and Ernest Hemingway via a Revolution and a couple of World Wars.

Shakespeare & Co 1
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